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In the forests of Gipuzkoa, a small hut with big ambitions

Posted on by eki

In the forests of Gipuzkoa, a small hut with big ambitions

Text: Christine Holmes Photos: Biderbost Photo
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The architects at Babelstudio in Bilbao have spearheaded an ambitious renovation project in the heart of the Sierra de Aralar, transforming a 20m2 tool shed into a cosy pied-à-terre.

Bringing some great ideas to life in a (very) small space: is this the architecture of the future?

In recent years, images of small huts in the middle of nature have invaded social networks, blogs and magazines. In a world teeming with information, people and pressure, the need for nature has, for many, become insatiable. This is what brought a creative couple from Bilbao to the offices of Andrea García, Michael Schmidt and Andrea Emmanuel, founders of the architectural firm Babelstudio.

Owners of a tool shed nestling in a wood in the Sierra de Aralar, on the edge of Gipuzkoa, they aspired to turn it into a place where they could enjoy a well-deserved weekend break, where they could do odd jobs, rest after a hike and even spend the night. The cottage designed by Babelstudio reveals all the ingenuity required in the architecture of small spaces.

“The professionals at Babelstudio therefore had to ensure that no unusable spaces were created, that every square metre was optimised.”

An optimised space that preserves the heart and soul of a cabin from yesteryear.
“The hut was in a serious state of deterioration,” explain the architects. “The structure had stability issues and the building’s envelope was neither insulated nor weatherproof.” In order to comply with current standards, they had to rethink the materials and structure of the cabin, while retaining its original shape and volume in the aim of creating a habitable cabin of 20 m2, no more, no less. The challenge was an appealing one: at a time when space and budgets are increasingly limited, the architecture of small buildings is the one that gives the greatest freedom to inventiveness and creativity.

The professionals at Babelstudio therefore had to ensure that no unusable spaces were created, that every square metre was optimised. This resulted in two spaces of equivalent size: the first, a cosy living room/bedroom around a stove, with large bay windows offering a glimpse of the surrounding greenery. The second has a small dry toilet and a carpentry workshop that literally opens onto the forest, thanks to a large door that takes up the entire facade.

A project that blends into its environment
Another architectural challenge that is equally in tune with the times is renovation with the greatest respect for nature. To achieve this, the creative minds at Babelstudio chose to use local pine for the floors, beams and interior and exterior walls. The roof is made of corrugated iron. A “raw” look that is nevertheless jazzed up by the black paint on the entire exterior of the cabin, which gives the impression of both a contrast and a fusion with the surrounding nature.

With this mini-cabin in the forest of Gipuzkoa, Babelstudio responds to our growing need not just to do well, but to do even better. Is the future small?

This book is an ode to the beauty of nature

Posted on by eki

This book is an ode to the beauty of nature

Text: Christine Holmes Photos: Lur Garden
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Iñigo Segurola’s book Lur Garden looks back at the genesis of his “garden of gardens” that he has been shaping for ten years in the Oiartzun valley.

But since a garden is nothing without its gardener, the Basque landscape designer also reveals a lot about himself. It is the story of a man in search of order and beauty in the heart of a free and indomitable nature.

As a child, Iñigo Segurola was one of those children who picked flowers on every school outing. He used to say that when he grew up, he would write “books about trees”. Already passionate about plants, he tells how moved he was when, in science class, the seeds he had placed in damp cotton finally germinated.

Fifty years later, he has created a garden that is unique in the Basque Country, an “oddity” in the local landscape. Above all, he has published Lur Garden, the “book about trees” he had dreamed of.

“I always say that this garden was like adopting quintuplets: when one sleeps, the other cries, another becomes uncontrollable, and so on,” – Iñigo Segurola

Lur Garden, the 10-year genesis of a book
Lur Garden is a collection of 16 themed gardens; a “garden of gardens” spread over two hectares in the heart of a small valley in Oiartzun. Some would say it is the Garden of Eden. However, when Iñigo Segurola and his partner Juan Iriarte found this land ten years ago, it was just a meadow where a few cows grazed, bordered by the Sarobe stream.

At the head of Lur Paisajistak since 1994, the visionary landscape architects of Gipuzkoa fell in love with the place and decided to acquire it in order to experiment with their art without constraints.

As the pages turn, Segurola reveals the stages of the project. We learn that the idea of creating a succession of round, rather than straight-lined, gardens emerged from Juan Iriarte’s sketch of a fried egg. Inspired by metal rings found on the site, Iriarte sketched a garden conceived not as an extension of a building, but as islands in the middle of nature.

The photographs, by Segurola himself and by Clair Takacs, Marta Etxebarria and Unai Bellami, offer a visual journey through these contrasting spaces. We meander from the garden of mirrors, soberly organised around a stretch of water devoid of aquatic plants, to the multi-coloured and luxuriant garden of extravagance.

Segurola opens the doors to his inner garden
Lur Garden is organised in two parts: the gardener and then the garden. For Segurola, the relationship between the two is visceral. “I always say that this garden was like adopting quintuplets: when one sleeps, the other cries, another becomes uncontrollable, and so on,” he says. The first eight years of this creation were like an obsessive relationship, in which he admits to having forgotten himself to the point of “hitting rock bottom”. He compares the garden to a child forever dependent on its parent.

Only yoga and meditation freed him from this interdependence and enabled him to rebuild himself. Rather than a Creator, he then took the place of an Observer in these gardens full of plants and animals, which in the end were not so dependent on him.

You can buy the book here!

Alki unveils its new headquarters: a sustainable workshop with a showroom and shop

Posted on by joseba

ALKI UNVEILS ITS NEW HEADQUARTERS

Text: Christine Holmes Photos: Mito & Pierre Leibar
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The Basque cooperative Alki has embarked on an important new chapter in its history by leaving Itsasu, the location of its original base for more than 40 years.

Alki’s new workshop, designed by Leibar & Seigneurin, is a shining example of sustainable innovation. Covering 8,260 m², it illustrates the cooperative’s strong commitment to the Basque Country’s economic and cultural development while placing sustainability at the heart of its priorities.

The building’s architecture was designed to adapt to the site’s sloping topography, reducing ecological impact and optimising manufacturing processes. Its ensuing circular organisation provides greater comfort for the teams and more efficient production.

“It can operate without heating or air conditioning thanks to its advanced insulation”

The site goes even further in terms of energy efficiency. It can operate without heating or air conditioning thanks to its advanced insulation, while natural lighting, amplified by open facades, minimises the use of artificial light. In partnership with local energy supplier Enargia, electricity is already 100% renewable, and solar panels will soon cover all the site’s energy needs.

An immersive showroom: a space for creation and discovery
The 400 m² showroom, designed by Iratzoki Studio, provides a glimpse into the world of Alki through a series of curves and apertures laid out around a curtain measuring over 100 metres in length. Here, both private individuals and professionals can discover Alki’s furniture collections, whether creations for the home, solutions for the hospitality industry or fitting out offices. The showroom is laid out with various spaces that stage different settings, for example a restaurant, lounge, projection room, library, that highlight the versatility of Alki’s creations.

A shop dedicated to local expertise
To enhance the experience, there is a shop adjoining the showroom that sells items designed in partnership with local artisans and brands. Discover or rediscover Basque know-how through a careful selection of original items, made on site or by other designers in the region. The showroom and shop is open from Tuesday to Saturday, 9am to 5pm.

Find out More: Alki’s new headquarters

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In the forests of Gipuzkoa, a small hut with big ambitions

This book is an ode to the beauty of nature

Alki lantegi berria Larresoro

Alki unveils its new headquarters: a sustainable workshop with a showroom and shop

“Ombuaren Itzala”, or in the shadow of Otaño, the bertsolari

“Ombuaren Itzala”, or in the shadow of Otaño, the bertsolari

Posted on by eki

“Ombuaren Itzala”, or in the shadow of Otaño, the bertsolari

Text: Christine Holmes Photos: Ombuaren hitzala
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With the support of public participation, this film has returned the cultural heritage bequeathed by Otaño to the Basque people.

“Ombuaren Itzala”, made by actor and director Patxi Biskert, aims to raise awareness of the life and work of the bertsolari (improvisational singer) and poet Pello Mari Otaño Barriola (Zizurkil 1857 – Rosario, Argentina 1910).

Although Otaño occupied a place of honour in Basque culture for a long time, this once-leading figure gradually fell into oblivion. The film, produced by Eguzki Art Zinema, aims to revive the memory of Otaño and pass his works on to younger generations.

Origins and development of the project
Patxi Biskert has been working tirelessly for many years to bring the film “Ombuaren Itzala” (in the shade of the ombú tree) to life. To finance the project, he set up a large-scale collective and participatory process, involving citizens, municipalities, cultural associations and the educational network. The project, which came about thanks to institutional support and ticket pre-sales, has been shown around the Basque Country since November 2024.

Content and plot of the film
The film is set between 1889 and 1910, Otaño’s most productive years. At that time, he emigrated with his family to Argentina, where he wrote many poems and bertsos that would make him famous among the Basque diaspora. Phytolacca dioica, commonly known as the ombú, is a remarkable tree that grows in the Argentine Pampas. It inspired Otaño to write one of his most recognised poems, which made it a symbol of nostalgia linked to exile.

“The film “Ombuaren Itzala” adds to our collective memory, by highlighting the figure of Pello Mari Otaño and his contributions to Basque culture.”

Production and distribution
The film was shot in Zizurkil and Argentina, Otaño’s two main places of residence.
It was previewed at the church of San Millan in Zizurkil on 30 November 2024, in the presence of its director Patxi Biskert, lead actor Joseba Usabiaga and other actors and operators who participated in the project.

It is currently on tour in several towns in Hegoalde, the Southern Basque Country. Although no date has yet been set for a screening in Iparralde, the Northern Basque Country. Let’s hope we will have the opportunity to see it in our cinemas soon.

Moreover, the film will not stop at the cinema doors. As a fitting return, the documentary has been designed to be shown in other community and cultural venues in the Basque Country and used in schools in the region.

The film “Ombuaren Itzala” adds to our collective memory, by highlighting the figure of Pello Mari Otaño and his contributions to Basque culture and putting them in the spotlight they deserve.

This documentary is also further proof of the strength and solidarity of the Basque community in preserving its cultural heritage. Le film « Ombuaren Itzala » vient alimenter notre mémoire collective, en repéchant la figure de Pello Mari Otaño et sa contribution [CH : contributionS ???] à la culture basque pour les mettre sous la lumière qu’elles méritent.

Otaño wrote at the end of one of his bertsos, “I am motivated by the desire to help the Basque language. The subjects available to me are modest, I have very little to say, but I will happily spend my nights, days, weeks and holidays on it. My brothers, I ask you for a small place in the Basque Country”.

Ama euskerak hau esan zidan
jarririk begi alaiak.
Horregatikan nakar honera
berari lagundu nahiak.
Gutxi nezake, oso txikiak
dira nik dauzkadan gaiak,
bainan pozkiroz egingo ditut
gauak, egun, aste, jaiak;
leku pixka bat Euskal Herrian
eskatzeizuet anaiak.

(…)
Thanks to Patxi Biskert, Eguzki Art Zinema, and the operators and citizens involved, the place of Otaño is now assured in the Basque Country so dear to his heart.